A few weeks ago I posted an essay on “The Yellow Wallpaper” that I had made with Agustin, and last class our teacher, Cecilia, gave us feedback on it and gave us instructions on how to write a conclusion. So here is our corrected essay with a conclusion:
The roles of men and women during the Victorian Times were very different. While men were expected to be educated and live a sociable life while working, women were expected to stay at home, take care of the domestic responsibilities and the children and were allowed to express only certain opinions as they were barely considered people. The women that appear in “The Yellow Wallpaper”, by Charlotte Perkins Gilman, metonymically represent the women of the 19th century, although the three in very different ways: the perfect housewife, the oppressed wife, and the women rebelling against traditional morals.
First of all, throughout the story Jennie, the narrator’s sister-in-law, is portrayed as the idyllic housewife of the time. She stayed in the house all day long and did everything that a man did not do at those times but that a woman was expected to do:, doing laundry, cleaning the house, cooking for everyone, including the narrator, that in her situation could not do much. “She is a perfect, an enthusiastic housekeeper, and hopes for no better profession”. This quotation shows the representation of Jennie as the ideal woman. She loved her role as a housekeeper and did not aspire to do anything else, since women were not supposed to.
As regards the narrator, the author conveys through her the restrictions women used to have. But since according to John, her husband, she was “sick”, she was forbidden to do many more things, which left her with the ability to do only very specific activities, such as sleeping a lot, eating, reading, taking walks. Also, she was absolutely forbidden to work until she was well again. All these restrictions were supposed to make her recover her health. And at the beginning of the story, when she is explaining that her husband did not believe that she was sick, only that she needed to rest, she expresses “that congenial work, with excitement and change, would do [her] good”, which means that instead of just resting, she believed that being active would help her regain her strength. Nevertheless, she did not say anything. This clearly represents the oppressed women, and their submission to authority. In this case, such power of authority is anchored in her husband’s knowledge:“If a physician of high standing, and one’s own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression – a slight hysterical tendency – what is one to do?”. This quotation shows the power and superiority of men and their opinions over women’s and how the narrator did not have a voice of her own, if her husband said something was a certain way, then it was that certain way. And by using the pronoun ‘one’, it shows she is not talking just about herself, she is talking in behalf of the female community.
Furthermore, by asking the question of “what is one to do?”, she is questioning her existence. Due to all these restrictions, she can not be who she really is. This causes her to supposedly start going mad. But in reality, she was not crazy, she was simply labeled as that since she started acting in a way that was out of the ordinary for women at that time. She started writing in secret, and she even tried saying that she was not recovering her health because her problem was not physical, but mental, which only caused John to scold her. He immediately told her reproachfully: “I beg of you (…) that you will never for one instant let that idea enter your mind! There is nothing so dangerous, so fascinating, to a temperament like yours. It is a false and foolish fancy. Can you trust me as a physician when I tell you so?”. This shows that to him, like most people, everything that one could not see nor touch was not real. Positivism did not support it and whenever someone tried defying that, they were viewed as crazy. The narrator believed that this made her husband “so wise”, when in reality, these beliefs showed ignorance. This problem of existentialism represents the women of the time that questioned and did not feel like they fitted society’s idea of women.
Finally, the last woman that appears in the story is the one in the wallpaper. She is used to represent the women of the time that were trying to break free from the oppressive society. To describe her and her behavior the narrator says: “By daylight she is subdued, quiet. I fancy it is the pattern that keeps her so still”. In this quotation, there is a parallelism between her and the women that during the day, when they were out in public, acted in a restrained and low-key way as not to reveal their true selves and not to have to deal with society’s heavy opposition. And the pattern portrays this precisely, society’s opposition and oppression, which caused women to act that way. But at night, when she crept out of the wallpaper, she depicts the women that let go and allowed themselves to be who they truly were for a while. And they did it at night as not to be seen and treated as mad people. Therefore, as mentioned in the beginning of the paragraph, the woman inside the wallpaper represents the women rebelling against traditional morals, although secretly when no one could see them as not to be judged by society.
By virtue of the previous analysis, the women that appear in “The Yellow Wallpaper” metonymically represent the women of the 19th century. Jennie, John’s sister, represents what women were expected to act and be like at that time: the perfect housewife. The narrator portrays the oppressed women living behind the male figure’s shadow and authority and the women that felt like they did not fit into the restrictive and close-minded society. The woman trapped in the wallpaper depicts the women that secretly tried to break free from society’s oppressive views and were themselves without following the traditional rules.